Las óleos de todo Cornelis van Poelenburch
ID Image  Painting (From A to Z)       Details 
88374  
Cornelis van Poelenburch, Children of Frederick V Prince Elector of Pfalz and King of Bohemia
  		 Children of Frederick V Prince Elector of Pfalz and King of Bohemia   1628(1628) Medium Oil on wood cyf
97104  
Cornelis van Poelenburch, Entrance of a Grotto
  		 Entrance of a Grotto   between 1624(1624) and 1630(1630) Medium oil on panel cyf
92474  
Cornelis van Poelenburch, Mercury and Herse
  		 Mercury and Herse   c. 1620(1620) Medium oil on panel Dimensions Height: 18 cm (7.1 in). Width: 27 cm (10.6 in). cjr
84606  
Cornelis van Poelenburch, Portrait of a Young Girl
  		 Portrait of a Young Girl   Date first half of 17th century Medium Oil on wood Dimensions Height: 21 cm (8.3 in). Width: 17 cm (6.7 in). cjr
88456  
Cornelis van Poelenburch, Portrait of a Young Girl
  		 Portrait of a Young Girl   first half of 17th century Medium Oil on wood cyf
90406  
Cornelis van Poelenburch, Portrait of a Young Girl
  		 Portrait of a Young Girl   first half of 17th century Medium oil on panel Dimensions Height: 21 cm (8.3 in). Width: 17 cm (6.7 in). cyf
89874  
Cornelis van Poelenburch, Portrait of Jan Both
  		 Portrait of Jan Both   1648(1648) Medium oil on copper Dimensions 17 x 13.5 cm (6.7 x 5.3 in) cjr
91531  
Cornelis van Poelenburch, View of the Campo Vaccino
  		 View of the Campo Vaccino   1620(1620) Dimensions Height: 40 cm (15.7 in). Width: 55 cm (21.7 in). cyf
Cornelis van Poelenburch
(1594 - 12 August 1667) was a Dutch Golden Age landscape painter. Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine. His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.



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